Entangled Pasts, Shared Gazes: Black British and African American Artists Reconfiguring Art, Modernism and Change in British and American Art Markets, 1960s–1990s (March 2025)
Art Collaboration Kyoto: Between Globalisation and Glocalisation (December 2025)
How Compatible is the Western Mega-Gallery Model with Japan’s Contemporary Art Ecosystem? (November 2025)
Categorization of Contemporary Art Collectors in Japan (October 2025)
Dialogues on Memory: M’Barek Bouhchichi and Pascal Blanchard on French Colonialism and Black Moroccan Portraiture (August 2025)
Changing ‘Society-Made’ Language: Reenacting and Rewriting History, Past and Memory in Lawrence Hill’s “The Book of Negroes” (December 2024)
Reading Report: “An Ars Poetica from the Blue Clerk”, Dionne Brand (November 2024)
Reflections on Brotherly Love and the Intimacies of Men in David Chariandy’s ‘Brother’ (November 2024)
“Black Mother Black Daughter”, Silvia Hamilton & Claire Prieto (October 2024)
On the Harlem Renaissance and Race Relations (December 2023)
Theodora Poulot 